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ACT ONE: The events of Handel's Ariodante revolve around a young woman named Ginevra, the daughter of the King of Scotland. Ginevra is in love with Ariodante, a vassal, and the two have her father's permission to be married, as Ginevra explains to her lady-in-waiting, Dalinda.

But there's a problem. A Duke named Polinesso is also in love with Ginevra, and he shows up to make his case. Ginevra tells him to get lost, saying he's repulsive to her. This doesn't sit will with Polinesso. So, when Dalinda tells Polinesso that she'll have him, even if Ginevra won't, he decides to use her — to get back at Ginevra, and ruin Ariodante.

Polinesso wants Dalinda to dress as Ginevra, and let him into Ginevra's chambers late at night. The lovesick Dalinda agrees. Then, when Polinesso leaves, Dalinda confirms her feelings for him by rejecting the love of Ariodante's brother, Lurcanio.

Meanwhile, the lovebirds Ginevra and Ariodante are entertained by a chorus of shepherds and shepherdesses.

ACT TWO: It's night, in the garden outside Ginevra's palace apartment. Polinesso is there, along with Ariodante. Lurcanio is also in the garden, hidden in the shadows to eavesdrop. When Ariodante tells Polinesso that he's engaged to Ginevra, Polinesso laughs at him, saying everyone knows that Ginevra is a bit of a loose woman. In fact, Polinesso says he's been fooling around with Ginevra himself, on the sly. Ariodante says if that if Polinesso can prove this, he'll kill himself. But if he can't prove it, Ariodante will kill Polinesso. Polinesso tells him to hide behind a tree, and watch.

Before long, Dalinda opens Ginevra's door, dressed in Ginevra's clothes, and quietly lets Polinesso in. Watching this, Ariodante sees exactly what Polinesso wanted him to see, and he draws his sword to stab himself. But Lurcanio steps out of hiding and stops him — saying it's better to stay alive, and get revenge, than to kill himself over an unfaithful woman.

The next day, at the King's court, there's bad news. Word comes that Ariodante has been seen plunging from a cliff into the ocean, and is dead. When Ginevra hears this, she faints and is taken away. Lurcanio then arrives, bitterly claiming that his brother's death is Ginevra's fault. He produces a sworn statement that he personally witnessed Ginevra betraying Ariodante with Polinesso, and says he'll defend his statement against anyone who would stand up for Ginevra's honor. The King immediately summons Ginevra back to the court — and disowns her. Not knowing what she's done wrong, Ginevra falls into a tormented sleep, dreaming of the Furies.

ACT THREE: As it turns out, if Ariodante actually did fall off a cliff into the ocean, it must have been a short drop — because now we find him wandering in the woods, where he discovers a frantic Dalinda. She's being chased by two men who are trying to kill her before she reveals her role in Polinesso's plot. Now, Ariodante saves Dalinda from her pursuers, and she tells him the truth: Ginevra has been faithful to him all along.

Still, back at the palace, Ginevra is sentenced to death for her supposed disloyalty. To everyone's surprise, Polinesso appears as Ginevra's champion, and challenges her accuser, Lurcanio. The two men joust, and Polinesso is mortally wounded. But just then a second champion arrives on the scene. It's Ariodante, who tells everyone what he has just learned from Dalinda. To confirm the story, Polinesso confesses as he dies.

Ginevra's reputation is saved, and she and Ariodante can now be married. Dalinda then agrees to marry Lurcanio, and the gathered crowd boisterously celebrates the double wedding.

In this production Director Harry Fehr and designer Yannis Thavoris (Orlando 2011) bring to life a vividly characterised, ‘what if’ kind of a world, where evil can flourish with frightening ease. In a community much like ours, with characters much like us – their gift for storytelling is perfectly matched to this simple yet powerful fable of innocence maligned.






Theatre Royal, 282 Hope Street, Glasgow G2 3QA Tue 16 Feb 7.15pm, Thu 18 Feb 7.15pm,
Sat 20 Feb 7.15pm

Festival Theatre, 13–29 Nicolson Street, Edinburgh EH8 9FT
Wed 24 Feb 7.15pm, Sat 27 Feb 7.15pm

In a society where morality is law and every slip is punished harshly, Ginevra stands accused of adultery…

Director Harry Fehr and designer Yannis Thavoris (Orlando 2011) bring to life a vividly characterised, ‘what if’ kind of a world, where evil can flourish with frightening ease. In a community much like ours, with characters much like us – their gift for storytelling is perfectly matched to this simple yet powerful fable of innocence maligned.